Week 5 : Construction Plan – Making A Friendly Hand Friendlier

After gaining clarity, I finalised a proposal and visualisation for the delivery of A Friendly Hand this week, completing the 'delivery' section of my double-diamond framework. To ensure accessibility, I created a schematic diagram and construction plan for others to replicate the build and to guide my own making process.

Walking Animation Walking Animation Walking Animation Walking Animation Walking Animation

Part ① : Schematic Diagram

I realised that if A Friendly Hand is meant as a well-researched proposal for communities exploring See Yourself Sensing: Redefining Human Perception and Interspecies Communication and Performance, then a schematic diagram of how the Arduino kit is used is essential. This would help other practitioners build on the project and further their research.

In other words, the 'delivery' section of my double diamond framework will be most valuable if it includes a detailed plan—one that not only designs this seemingly "silly" or "trivial" prototype for friendlier encounters but also considers how material choices add layers to the metaphor of the Mycorrhizal Network. Some are more obvious, like using threads to represent mycelium, while others are more imaginative—wood and paper symbolizing trees, or a micro servo embodying fungi.

  • Schematic Diagram of A Friendly Hand Setup with various tools labeled

  • Construction Plan of A Friendly Hand Setup with various tools labeled

Ultimately, it’s open to individual creativity and interpretation. The goal is to address the Anthropocene by materialising the hidden language of the forest to – first and foremost - help people form 'affective relationships' or empathy with the non-human world and provoke self-reflection on the concept of interconnectedness – one where the links between what we use, how we build, and what we take from nature are easy to overlook, yet always present.

Part ② : Final Iteration of A Friendly Hand Delivery

To complete the dissertation, I want to conclude with a proposal for the delivery of A Friendly Hand. Although a fixed outcome is not the priority, I reckon communities surrounding speculative frameworks might find value in how A Friendly Hand, an alternative sensory engagement with ecological systems, might be applied to real-life settings that aims to communicate meaningful insights about our environment to the everyday audience.

This final iteration below came about from a philosphy of positioning a Friendly Hand as playful rather than unsettling. Reflecting on my previous visualisations from Week 3, I realise that my earlier approach, where A Friendly Hand performed a single function—grasping or holding participants—felt somewhat restrictive and even slightly eerie. Instead, I see more joy in allowing participants to choose how they engage—whether by interacting with the hand, the screen, or simply witnessing it move rhythmically to beats.

  • Visualisation 7: Final Iteration of A Friendly Hand as an outdoor installationn called Dance, Forest Dance

  • Prelimary Test with Algorithmic Moving Circles – 17 Nov 2024

  • Prelimary Test with White to Black Gradient Image – 17 Nov 2024

“Technology, playfully if not perversely, becomes a tool like any other by which we can not only reacquaint ourselves with the physical body but develop entirely new understandings of it and, by extension, ourselves.” - Krzysztof Wodiczko

Thinking Animation

Feedback & Reflection

The feedback on Dance, Forest Dance was great. I explained it to three people in the atelier, and they were all excited to see how it might turn out. I was also advised to develop A Friendly Hand into a kit, proposing a way to make it accessible to more creative practitioners—bridging music and computational design in new ways.

To add on, realising that A Friendly Hand should be playful rather than unsettling feels like a turning point in my journey. It aligns with what I naturally gravitate toward and embodies Dreaming of an Interspecies Sensor more fully—something dreamy and whimsical, shaped through storytelling. Whether this speculative object is perceived as cute or unsettling doesn’t really matter; that’s for participants to decide and reflect on. My role is to better communicate the conceptual build and share what I’ve learned about how trees, plants, and fungi communicate through root systems—and honestly, that feels enough for a speculative design project. (I hope) *nervous laughter*

At the end of the day, I’m still a student of this whole framework, research, and community of alternative practice—and probably always will be... . So really, the only thing I should be worrying about more is the progress of my dissertation. HAHA.